London / Philadelphia: William Heinemann / J.B. Lippincott Co., 1911. Item #01862
"One of the Most Sumptuous Gift Volumes of the Year
The Cover Design is a Thing of Beauty"
[ROBINSON, Charles]. SHELLEY, Percy Bysshe. The Sensitive Plant. Introduction by Edmund Gosse. Illustrations by Charles Robinson. London / Philadelphia: William Heinemann / J.B. Lippincott Co., 1911.
First U.K. Robinson-illustrated edition, a Heinemann "Xmas Art Book" that originally sold for 15 shillings. Quarto (10 3/8 x 7 1/2 in; 264 x 190 mm). xii, , 17-127,  pp. Eighteen full color tipped-in plates, including frontispiece, with captioned tissue guards. Small color, halftone, or black and white (some full page) illustrations to each page.
Publisher's original pictorial green cloth lavishly gilt-stamped. Top edge gilt. Illustrated endpapers. In the scarce original dust jacket with chip at spine head and upper edge of rear panel. A tight, bright, and fine copy of this generously produced volume.
"No more tastefully illustrated book of verse could be desired than the elaborately artistic edition of Shelley's " Sensitive Plant,"edited by Mr. Edmund Gosse, illustrated with much richness of coloring and gracefulness of design by Mr. Charles Robinson, and imported by the Lippincott Co. Mr. Gosse's introduction throws new light on the " Lady, the wonder of her kind," who played the part of "an Eve in this Eden " where grew the sensitive plant. Drawing upon Medwin's notes to a never-published second edition of his life of the poet, he tells us that this paragon of her sex was a certain Countess of Mountcashell, an Irish lady about fifty years of age, of sufficient unconventionality to be welcomed by Shelley and his company as a congenial spirit. The notes on this lady and the editor's gleaning of facts concerning the mimosa pudica, or sensitive plant, celebrated bythe poet, are interesting. The illustrations, large and small, accompanying the slender thread of text, form the conspicuous feature of the book, and make it one of the most sumptuous gift volumes of the year. The cover design is a thing of beauty..."(The Dial, December 1911).
"This book... with... supplements in colour in addition to page designs by the artist is sumptuous in effect" (The International Studio, January 1912).