New York: Brentano's, 1925. Item #03381
One of 100 Copies Signed by Edmund Dulac
In the Original Printed Dust Jacket
[DULAC, Edmund, illustrator]. ROSENTHAL, Léonard. The Kingdom of the Pearl. Illustrated by Edmund Dulac. New York: Brentano's [n.d., 1925].
American deluxe limited edition (first published with Dulac illustrations in French in 1920 with title: Au Royaume de la Perle). One of 100 copies numbered and signed by the artist (this copy being No. 48), out of a total edition of 775 copies “for sale in the United States of America”). Large quarto (11 15/16 x 9 5/8 inches; 303 x 243 mm.). , 150, , [1, printer’s imprint] pp. Ten mounted color plates, with descriptive tissue guards.
Original quarter vellum over cream paper boards. Front cover and spine decoratively stamped and lettered in gilt. Top edge gilt, others uncut. Decorative endpapers. A fine copy in the original printed dust jacket. From the renowned collection of Estelle Doheny, with her neat leather book-plate on front paste-down.
“Au Royaume de la Perle was first published in Paris (by Payot) in 1919 without benefit of the Dulac illustrations which the author Mr. Rosenthal so eagerly sought. But when, in 1920, Dulac found time to produce 10 pictures, Mr. Rosenthal not only purchased the water colours, but had another publisher, Piazza of Paris, publish a 1,500-copy new edition of his ‘Perle’ book with the Dulac illustrations. Also Dulac reveals in a reply to a Mr. Carroll of Massachusetts who hoped to buy one of the ‘Pearl’ illustrations that Mr. Rosenthal also purchased the copyright to the 10 pictures. However Mr. Rosenthal did allow his book with Dulac pictures and in English translation to be published in England by The Nisbet Publishing House…The English edition, although praised by The Times Literary critic as Dulac ‘at his best’ and ‘fantastically Persian,’ was not a commercial success. In order to make use of the 775 sheets remaining from 1,550 printed for the English edition, arrangements were made in 1925 to market an edition through Brentano’s, booksellers in New York…The ‘Pearl’ pictures indeed display a ripening of a Dulac style first seen in Sindbad the Sailor, employed in some of his Fairy Book pictures and developed fully in The Tanglewood Tales. It is a Persian miniature style, but made quite his own…His plates, truly genius, do much to bring a fanciful touch to the otherwise stark exposition of a treatise on pearls” (Hughey).