Rome: Ludovico Mirri, 1776-1778. Item #05027
Emperor Nero's Golden Palace
The Domus Aureus
CARLONI, Marco (1742-1796) after SMUGLIEWICZ, Franciszek (1745-1807) and BRENNA, Vincenzo (1745-1820). Detail of a fresco in the 'Domus Aureus'. Rome: Ludovico Mirri, [1776-1778].
Plate # 9. Original engraving with later hand coloring. Fine in a stunning gilt frame. Framed size: (31 1/2 x 21 inches; 800 x 533 mm.). Plate mark: (22 7/8 x 12 1/4 inches; 581 x 311 mm.).
A fine plate from 'Vestigia delle terme di Tito e loro interne pitture' of an ancient fresco from the 'Domus Aureus', Nero's sumptuous imperial complex in Rome. The image depicts two male figures draped in blue/green robes admiring the frescoes and statues.
The Domus Aurea (Latin, "Golden House") was a vast landscaped palace built by the Emperor Nero in the heart of ancient Rome after the great fire in 64 AD had destroyed a large part of the city and the aristocratic villas on the Palatine and Esquiline Hills. It replaced and extended his Domus Transitoria that he had built as his first palace complex on the site.
Designed by architects Severus and Celer. The magnitude and decadent extravagance of the impressive gold-covered, jewel bedecked palace was intended to glorify the Emperor's reign. Its rooms were filled with lavish furniture and its walls and ceilings covered with decorative late-Hellenistic murals by the renowned ancient artist Fabullus. Nero, who died in 68 AD before the Domus was totally completed.
In 1480, practically forgotten, the Domus was excavated, and its subterranean passages and rooms thereafter became known as 'le grotte' (cave). Many of its original frescoes survived, and their motifs and ancient style of ornamentation, called 'grotteschi' (grotesque) after 'grotte', became extremely popular during the Renaissance, influencing many prominent artists such as Raphael, Michelangelo, Ghirlandio, and Pinturicchio. Published in 1776-1778, 'Vestigia delle terme di Tito e loro interne pitture' is an elaborate album of engravings depicting the stunning 'al fresco' and 'al stucco' murals of Nero's Domus Aureus. Carloni's beautifully rendered plates faithfully capture the ancient Roman grotesque style, which became a hallmark of Renaissance Art.