Bibliography of Samuel Johnson, A. COSWAY BINDING, RIVIÈRE, binders SON, miniaturist, William Prideaux COURTNEY, David Nichol SMITH, MISS C. B. CURRIE.
Bibliography of Samuel Johnson, A
Bibliography of Samuel Johnson, A
Bibliography of Samuel Johnson, A
Bibliography of Samuel Johnson, A
Bibliography of Samuel Johnson, A
Bibliography of Samuel Johnson, A
Bibliography of Samuel Johnson, A
Bibliography of Samuel Johnson, A
Bibliography of Samuel Johnson, A
Bibliography of Samuel Johnson, A
Bibliography of Samuel Johnson, A
Bibliography of Samuel Johnson, A
Bibliography of Samuel Johnson, A
Bibliography of Samuel Johnson, A
Bibliography of Samuel Johnson, A
Bibliography of Samuel Johnson, A
Bibliography of Samuel Johnson, A
Bibliography of Samuel Johnson, A
Bibliography of Samuel Johnson, A

Bibliography of Samuel Johnson, A

Oxford: The Clarendon Press, 1925. Item #05208

"The True Art of Memory is the Art of Attention" (Samuel Johnson)
A Superb Cosway Binding with a Remarkable Portrait by Miss C.B. Currie of Dr. Samuel Johnson

COSWAY BINDING. RIVIÈRE & SON, binders. [MISS C.B. CURRIE], miniaturist. A Bibliography of Samuel Johnson by William Prideaux Courtney and David Nichol Smith. A Reissue of the Edition of 1915 Illustrated with Facsimiles. Oxford at the Clarendon Press, 1925.

Limited to 350 copies. Octavo (8 3/4 x 5 1/2 inches; 223 x 140 mm.). [i]-viii, [1]-186 pp. Thirty-seven facsimile plates.

Limitation statement at front "This is No. 926 of the Cosway Bindings invented by J. H. Stonehouse, with Miniatures on Ivory by Miss Currie. Signed (in black ink) 'J.H. Stonehouse' Inventor. 'C.B. Currie' Artist."

Bound by Rivière & Son in full dark green crushed levant morocco. Covers with gilt double-rule border, the front cover set with superb and very large rectangular portrait miniature set under beveled glass (measuring 4 7/8 x 3 7/8 inches; 123 x 98 mm.) of a mature Dr. Samuel Johnson [after Sir Joshua Reynolds] by Miss C.B. Currie within an elaborate gilt foliate frame. Rear cover with gilt double-rule border and large decorative gilt foliate corner pieces. Spine with five raised bands elaborately tooled and lettered in gilt in compartments. Double gilt-ruled board edges, decorative gilt turn-ins, green moiré silk liners and endleaves, top edge gilt, others uncut. Stamp-signed by the binders on front turn-in: “Bound by Rivière & Son, London.” Stamped-signed by the artist on rear liner: Miniatures by C.B. Currie.” Additionally signed on the upper and lower board edges: “Cosway Binding” and “Invented by J.H. Stonehouse.”

A wonderful and absolutely fine example of a real Cosway binding with a superb and large portrait miniature of
Dr. Samuel Johnson. Housed in a later felt-lined red cloth slipcase.

Cosway Bindings: In the first decade of the twentieth century, the London bookselling firm of Henry Sotheran & Co., introduced a type of binding that was decorative, had historic associations, and catered to the level of quality expected by connoisseurs at the time. Between 1902 and 1903, John Harrison Stonehouse (1864–1937), managing director of Sotheran’s, created what came to be referred to as “Cosway bindings.” These were named after the celebrated eighteenth-century English portrait miniaturist Richard Cosway (1742–1821). Cosway bindings are distinguished by their attractive, finely painted miniatures that are protected by glass and inset into the covers or doublures (inside covers) of elegantly tooled books. Stonehouse’s success with the bindings was due in part to his employment of skilled miniaturist, Miss C. B. Currie. It has been estimated that Miss Currie painted several thousand miniatures, recognized for their delicate rendering and precision, for over nine hundred bindings before her death circa 1940. For many of the more lavish Cosway bindings, Currie painted multiple portraits. Occasionally, landscapes and other subjects adorn the covers or doublures. To enhance Currie’s miniatures, Stonehouse arranged for the London firm of Rivière & Son to produce a variety of high-quality single-volume bindings. One of the best large-scale binderies active in the first quarter of the twentieth century, Rivière & Son integrated the miniatures into bindings for both previously published editions and new works. Stonehouse marketed Sotheran’s finished Cosway-bound volumes primarily to booksellers in the United States or to American agents. Before Sotheran’s 1911 catalogue, in which they identified the miniature artist as Miss Currie, the miniatures are attributable only by their recognizable style. By 1913, many of the bindings were distinguished by a limitation statement on a colophon leaf (where a publisher’s emblem or trademark is placed), which provides the number of the Cosway binding with facsimile signatures of Stonehouse and Miss Currie. The customary gilt-stamped signature on the turn-in is generally lettered: “Bound by Rivière & Son from Designs by J. H. Stonehouse” and “Miniatures by C. B. Currie.”

"Miss C.B. Currie" (December 12, 1849 - April 2, 1940) was the miniaturist artist of all the genuine Cosway bindings. Born in Cornwall, England, Caroline Billin Curry was also one of the most prominent fore-edge artists in the twentieth-century. A master of the art of miniature painting, she excelled as a copyist working for Henry Sotheran Booksellers, London. She became famous for her miniature paintings applied to two art forms. First, mounted on Rivière bindings and named by her employer as "Cosway" bindings. Later she expanded her work into the art of painting on the fanned edge of a book - called a fore-edge painting.

Price: $18,500.00