London: William Heinemann Ltd., 1950. Greene’s Two Great Film Stories Including The Third Man - One of the Defining Works of Postwar Cinema GREENE, Graham. The Third Man and The Fallen Idol. London: William Heinemann Ltd., [1950]. First edition. Octavo (7 1/8 x 4 7/8 inches; 181 x 124 mm.)..... More
New York: The Viking Press, 1957. Greene for the Stage—A Drama of Memory and Faith An Uncommon Early Play in Attractive Condition GREENE, Graham Greene. The Potting Shed. A Play in Three Acts. New York: The Viking Press, [1957]. First American edition. Octavo (8 3/16 x 5 3/8 inches; 208..... More
London: The Bodley Head, 1983. Two Late Greene Plays - Signed Limited Issue One of 750 Copies -In the Original Cellophane GREENE, Graham. Yes and No and For Whom the Bell Chimes. London: The Bodley Head, [1983]. First edition, first impression. Limited to 750 numbered copies (this copy no. 111)..... More
New York: The Viking Press, 1966. A Pre-Publication Presentation Issue—In Original Cellophane One of Just 500 Copies Issued Before Publication GREENE, Graham. The Comedians. New York: The Viking Press, [1966]. First edition, one of 500 copies specially bound for presentation to friends of the author and publisher in advance of..... More
London: The Bodley Head, 1975. Greene Revives the Gentleman Thief Signed Limited Edition - Just 250 Copies GREENE, Graham. The Return of A.J. Raffles. An Edwardian Comedy in Three Acts based somewhat loosely on E. W. Hornung’s characters in The Amateur Cracksman. London: The Bodley Head, [1975]. First edition, limited..... More
London: William Heinemann Ltd., 1932. Greene’s Breakthrough “Entertainment” The Novel That Established His Reputation GREENE, Graham. Stamboul Train. London: William Heinemann Ltd., 1932. First edition, second printing. Octavo (7 3/16 x 4 3/4 inches; 186 x 121 mm.). xii, [1-2], 3-307, [1, blank] pp. Publisher's black cloth over boards, spine..... More
New York: Firsts & Company, 1989. A Finely Produced Signed Private Press Greene Limited to Just 250 Copies - With Manuscript Facsimiles GREENE, Graham. Reflections on Travels With My Aunt. New York: Fists & Company, 1989. First separate edition, limited to 250 numbered copies printed on T. H. Saunders paper..... More
New York: The Viking Press, 1950. Greene’s Cinematic Masterpiece—Written for the Screen First The Classic Tale Behind The Third Man GREENE, Graham. The Third Man. New York: The Viking Press, 1950. First American edition. Small octavo (7 3/8 x 5 inches; 187 x 127 mm.). 157, [3, blank] pp. Publisher's..... More
London: The Bodley Head, 1982. Pre-Publication Issue GREENE, Graham. Monsignor Quixote. London: The Bodley Head, [1982]. First edition, uncorrected proof copy. Small octavo (7 7/8 x 5 1/8 inches; 201 x 132 mm.). 220 pp. Publisher's yellow wrappers lettered in black on front panel and spine. Near fine. A pre-publication..... More
New York: The Viking Press, 1948. Greene’s Dark Masterpiece of Conscience and Damnation Duty, Despair, and the Burden of Moral Choice GREENE, Graham. The Heart of the Matter. New York: The Viking Press, 1948. First American edition. Octavo (8 x 5 3/8 inches; 203 x 127 mm.). [xii], [1-2], 3-306..... More
New York: The Viking Press, 1951. Graham Greene’s Great Novel of Love and Faith Passion, Jealousy, and the Problem of Belief GREENE, Graham. The End of the Affair. New York: The Viking Press, 1951. First American edition. Octavo (8 x 5 3/8 inches; 203 x 136 mm.). [vi], [1-2], 3-240..... More
London: Heinemann, 1958. Greene’s Brilliant Satire of Espionage “Wormold’s Vacuum Cleaners and the Absurdity of Intelligence Work” GREENE, Graham. Our Man in Havana. An Entertainment. London: Heinemann, [1958]. First edition. Octavo (7 3/4 x 5 inches; 197 x 127 mm.). [vi], [1]-273, [1, blank] pp. Publisher's blue cloth over boards..... More
London: Heinemann, 1959. Greene Turns to Comedy A Civilized Study of Love, Fidelity, and Accommodation GREENE, Graham. The Complaisant Lover. A Comedy. London Heinemann, [1959]. First edition. Small octavo (7 1/4 x 4 3/4 inches; 184 x 121 mm.). [viii], 77, [1, blank] pp. Publisher's blue cloth over boards, spine..... More
New York: The Viking Press, 1962. In Search of a Character: Greene’s African Journey GREENE, Graham. In Search of a Character. Two African Journals. New York: The Viking Press, [1962]. First edition. . Octavo (9 x 5 3/8 inches; 229 x 136 mm.). xvi, 93 [1, blank] pp. Publisher's lilac..... More
New York: The Viking Press, 1962. In Search of a Character: Greene’s African Journey GREENE, Graham. In Search of a Character. Two African Journals. New York: The Viking Press, [1962]. One of 600 advance copies… specially designed for friends of the author and the publishers. Christmas 1961. Octavo (9 x...... More
Los Angeles: Sylvester & Orphanos, 1980. Graham Greene explores themes of faith, humility, and quiet moral resilience… GREENE, Graham. How Father Quixote became a Monsignor. Los Angeles: Sylvester & Orphanos, 1980. First edition. Limited to 330 copies, of which 300 are numbered and signed by Graham Greene, this being no..... More
London: William Heinemann Ltd., [1938]. “Greeneland Begins: Brighton Rock and the Birth of Pinkie Brown” GREENE, Graham. Brighton Rock. A Novel… London: William Heinemann Ltd., [1938]. First edition. Octavo (7 3/8 x 5 inches; 187 x 124 mm.). [viii], 361, [1, blank] pp. Publisher's red cloth over boards, spine lettered..... More
London: William Heinemann Ltd, [1947]. A Cornerstone Collection by Graham Greene GREENE, Graham. 19 Stories. London: William Heinemann Ltd., [1947]. First edition. Octavo (7 1/4 x 4 3/4 inches; 184 x 121 mm.). viii, 231, [1, blank] pp. Publisher's dark blue cloth over boards, spine lettered in silver, original cream..... More
London: Heinemann, [1961]. A Cornerstone Collection by Graham Greene GREENE, Graham. A Burnt -Out Case. London: Heinemann, [1961]. First edition. Octavo (7 3/4 x 5 1/8 inches; 197 x 130 mm.). [viii], [12], 3-256 pp. Publisher's black cloth over boards, spine lettered in silver, original pictorial dust jacket printed in..... More
I have been in the rare and antiquarian book business for over forty years; my family has been in the rare books business since 1876. Rare books are in my blood.